Saturday, September 14, 2013

Module #3: Color Theory


#1. Specific colors can have cultural or individual associations. These colors are symbolically or to set a mood. For example red can symbolize danger and anger while some see it as passion or love. The My Art Studio website had a cool slideshow about how we all associate certain colors with certain objects. Such as a red stop sign or a green light that means go. If we switched their meanings people wouldn’t know what to do while driving and it would disrupt our way of life.

#2. I found color schemes as being the aspect of color that fascinates me most. As a fashion major, design has a lot to do with how while the colors go together and complement each other. Monochromatic color schemes can have a unifying effect while analogous colors are next to each other on the color wheel and create harmony. By selecting two colors on opposite sides of the color wheel, a complementary color scheme is created. If these “rules” are not followed the garment would not be atheistically pleasing and people wouldn’t want to wear it.

#3. Color brings out visual emotion and physiological emotion. It only takes the use of one color to get the artists point across and make their emotions known. I found the paintings of Mark Rothko and is idea of how color is such a powerful medium that it can make everyone that is around it feel intense emotions towards it. His paintings were meant to decorate the Four Seasons restaurant in New York. Rothko hated the place and made paintings that would “ruin the appetite” of everyone that ate there. He hoped his intense reds and maroons would make the diners feel trapped in the room. It is crazy to think a painting of a single color could evoke all these emotions and subconsciously make people not want to eat at a restaurant.

#4. Goya paints portraits of disaster, despair, and violence. He believed you couldn’t have equality, brotherhood, or freedom without these monsters. His use of dark, dull colors gives the observer an uneasy feeling. He seems to see the negative in situations to give a painting a new vibe from the original intent.  

 

 

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